Michael Ingmire: Why Jimi Still Matters


“Knowledge speaks, but wisdom listens”-Jimi Hendrix

August 21, 1968, I was 11 years old. I was supposed to be spending the night with a friend of mine who shall remain nameless here. Instead we were at a concert venue called the Virginia Beach Dome in Virginia Beach, VA. The look and design of the dome was designed as a tribute to the architecture of Frank Lloyd Wright. It had existed as a concert venue since the late 1950’s. The first artist to play there was Louis Armstrong.

Our mission of the evening was to see The Jimi Hendrix Experience. This was to be my first concert experience and I was disobeying my Mother to do so. Hendrix had previously played the Virginia Beach Dome on April 4, 1968. That same night Martin Luther King was murdered in Memphis.

The British band, The Soft Machine, was the opening act that night. They had been many British bands opening for Hendrix during that summer’s American tour. Sonically, they were twice as loud as Hendrix.

After about 35 minutes of The Soft Machine, we were more than ready for Jimi Hendrix. Jimi opened with great fanfare and performed the title track of his first album, “Are You Experienced.” Maybe I wasn’t experienced before, but I was then.

In the first set, Hendrix played such classics as “Purple Haze, Red House and the immortal ballad, Little Wing.” The first show was pretty short, but the impact was broad for my 11 year old mind. Eight songs closing with “Voodoo Child, (Slight Return).”

(Michael Ingmire: These are some photos from the first truncated Hendrix show. They were shared by a fellow concert goer by the name of Bill Stokley. Ah the joys of the Polaroid camera.)

We decided to stay for the second show as they were not really clearing the hall. The second show was truncated to only two songs. I think Jimi was frustrated with the phalanx of Virginia Beach cops that lined up in front of the stage. He ended up breaking a guitar and left the stage, seemingly frustrated.

But that first set,where he broke no guitars and mainly played, was heaven for me. I was never the same. Bubble gum, spyder bikes and the trappings of childhood went away. I had to have a guitar after those Hendrix shows. Not the toy guitar I was playing. A real one.

Now almost 50 years, and many real guitars later, my fascination and love for the music of Jimi Hendrix continues. I have played, and continue to perform, many of his songs. Many guitarists, including me, have gone to the self motivated school for the study of Jimi Hendrix’s guitar playing. But no one has really graduated from that school yet.

Jimi Hendrix still matters because in a short amount of time, he changed the sonic and melodic vocabulary of the electric guitar. Like forefathers such as Charlie Christian, T-Bone Walker and Robert Johnson, among others, Jimi made the guitar his own personal soul communicator. All the more amazing is that Hendrix did not start playing until the age of 15. He died at the age of 27 in 1970. His professional career was a mere 7 years. With his guitar work and compositional genius, Hendrix changed the face of music, changed how the electric guitar could sound and inspired technology to be created to emulate his innovations. How did he do it?

First of all, this is not going to be a strict biographical article about his life. That has been done. This article will deal with his music and it’s impact on me. If you want to know more about the life of Jimi Hendrix, I recommend the two following books (Look for them in your local library)

  • ‘Scuse Me While I Kiss the Sky Jimi Hendrix: Voodoo Child by David Henderson (1978, 1981, 2008 Atria Paperbacks: A division of Simon and Schuster, Inc.) Henderson’s book was the first extensive book about the life of Jimi Hendrix. Henderson approaches the subject, to quote the author, with an almost “Hard boiled, private-eyed intensity.” A great place to start.
  • Room Full of Mirrors: A Biography of Jimi Hendrix by Charles R. Cross. This book covers all the ground that David Henderson did and more. Well written and researched. I consider it a touchstone among the many great, and not so great, Hendrix biographies.

One cannot fully encompass a subject’s life in an article or even in a series of books. The following are 11 points that need to understood about the life of Jimi Hendrix.

  • Jimi Hendrix was born Johnny Allen Hendrix on November 27, 1942 to Al and Lucille Hendrix in Seattle, Washington. Al was fighting in World War Ii in Europe at the time of Jimi’s birth. When Al returned from the war, he discovered that Lucille had left Jimi with friends of hers in Berkeley, California. Al changed his son’s name legally to James Marshall Hendrix. The couple had a tempestuous relationship and divorced in 1951.
  • Jimi’s Mother Lucille died in 1958. Because of his bitterness, Al Hendrix denied Jimi and his brother Leon the opportunity to go to Lucille’s funeral. A child should never be denied to opportunity to grieve a death. Some wounds never heal.
  • Because of a variety of conflicts, Jimi Hendrix dropped out of high school. He joined the Army at the age of 17 in 1961. In 1962, he earned the right to wear the Screaming Eagles patch of the 101st Airborne in Fort Campbell, Kentucky. On his 26th jump, he broke his ankle and was given a honorable, medical discharge.
  • From 1963 to 1966, Jimi Hendrix played back-up guitar with a variety of R&B acts. We will discuss that in greater detail later.
  • From 1963 to 1966, Jimi Hendrix was fired as a back-up guitarist for a variety of R&B acts he played for when he explored some of the nether reaches of guitar playing. Or to paraphrase Hendrix for refusing to wear mohair suits, patent leather shoes or wear a patent leather hairdo.
  • Linda Keith saw Jimi Hendrix play with Curtis Knight and the Squires in New York in 1966. Ms. Keith was a model, a passionate lover of the Blues, and Keith Richards girlfriend at the time. (She was the inspiration for The Rolling Stones song, “Ruby Tuesday.”) She “borrowed” a Fender Stratocaster from Keith’s collection and gave it to Jimi. In short, she sponsored Jimi. She managed to interest Chas Chandler, bass player for the band The Animals, in Jimi. Chas pursued his dream of management with Jimi as his first artist. Chandler changed Jimi’s stage name for Jimmy James to Jimi Hendrix. They decided to go to London, England to launch Hendrix’s solo career. They landed in London on September 24, 1966. Jimi was managed by Chandler and ex-Animals manager, Michael Jeffrey.
  • After joining up with British musicians Noel Redding, Bass, and Mitch Mitchell, Drums, Hendrix formed The Jimi Hendrix Experience in early October 1966. they shook the London music scene to it’s core. Both the Beatles and The Rolling Stones supported the efforts of Jimi Hendrix because of his outstanding music and ability to put on a show. On October 1, 1966, Jimi Hendrix sat in with Eric Clapton and Cream at a show at The Royal Polytechnic College. Hendrix drove Clapton away from the stage in a state of shock.
  • Jimi Hendrix, because of a recommendation of Paul McCartney, was added to the roster of artists at the first (and last) Monterey International Pop Festival. On June 18, 1967, he put on a stellar performance. Jimi Hendrix had arrived on the world stage.
  • Jimi Hendrix was one of the highest paid performers in the world of music in the late 1960’s. Chas Chandler grew frustrated with co-manager Michael Jeffrey practices and Hendrix’s extended stays in the studio. Chandler resigned as Hendrix co-manager on December 2, 1968. Michael Jeffrey skimmed many of the receipts from Hendrix’s concerts and his publishing royalties to a questionable, Bahamian company called Yameta. In essence, he ripped Jimi off. Michael Jeffrey died in a mid-air plane crash in 1973.
  • Jimi Hendrix died in London, England on September 18, 1970 because of inhalation of vomit due to barbiturate intoxication. The barbiturate was a german brand called Vesparax. The pills belonged to his girlfriend of the time, Monika Dannemann. They were much stronger than the american tranquilizers he was used to. Monika Dannemann died on April 5, 1996 at the age of 50. Her death was ruled a suicide.
  • Jimi Hendrix is still one of the top selling artists 46 years after his death. His musical legacy is carefully preserved by his step-sister, Janie Hendrix, for Experience Hendrix L.L.C.

That was Jimi’s life in a stolen moment. Now let’s talk about the music. The root source of Jimi’s music was The Blues. Beginning with his father’s record collection, Jimi absorbed the music and lessons of such legends as Muddy Waters, B.B. King, Howlin‘ Wolf, Muddy Waters, John Lee Hooker and other Blues greats. In turn, during the course of his career, Hendrix sat in with B.B. King, Muddy Waters, Howlin‘ Wolf, John Lee Hooker, Albert King, and Buddy Guy. Some of Hendrix’s music touches on pre-Blues forms such as field hollers and early Gospel.

After leaving the army, Hendrix became a guitarist for hire for many of the R&B acts on the “Chitlin’ Circuit.” These artists included, but were not limited to, The Isley Brothers, Sam Cooke, Solomon Burke, Ike and Tina Turner, Little Richard and King Curtis.

Jimi’s time as a back-up R&B guitarist taught him to be a master rhythm player, a spot on soloist and a master showman. Invaluable training. Soul singer Wilson Pickett, who I played with for a time, recalled Hendrix fondly and said he knew he was going to be a star. Part of the reason Hendrix was such a dexterous player was his dedication and the size of his hands. His thumbs were as long as his index fingers. Playing left handed his thumb could bar across the neck to form chords and freed up his other four fingers to do many unique fingerings and chord voicings. Also, by being left handed playing a right handed guitar, the volume, tone, tremolo bar and toggle switch were close at hand for constant manipulation.

Hendrix loved Jazz and many Jazz musicians, such as Rahsaan Roland Kirk and Miles Davis, loved him. Miles Davis was especially astounded by Hendrix’s ability to play in advanced harmonic structures without being able to read music.

His early experiences jumping out of planes as a Paratrooper influenced his desire to simulate the sound of the wind and the hum of airplanes with his playing, among many sounds. His sonic palette was broad ranging, yet he always paid great attention to melody in the execution of his playing. His sound painting of the “Star Spangled Banner,”is one of the greatest solo guitar pieces of the 20th century.

As a singer, he was incredibly rhythmic. He was also very shy about his voice. Lyrically, he was influenced by Bob Dylan and by Science Fiction writers such as Phillip K. Dick. Go and read some of his lyrics for songs such as “Freedom, If Six Was Nine, Little Wing,” among many. Many of the songs hold up lyrically without the music. History will prove Jimi Hendrix to be one of the great composers of the 20th Century.

Ultimately, to me, Jimi Hendrix was more than a drug casualty as he has been portrayed. He liked drugs and was given more than his share by his manager Michael Jeffrey. But that is not the sum total of who Jimi Hendrix was. The most important thing was his music. The history of the electric guitar, for the past 50 years, is divided into two sections: Before Hendrix and after Hendrix. May he continue to rest in peace and innovation. I will always listen to the wisdom of Jimi Hendrix’s music.

My three favorite Jimi Hendrix youtube performances, plus one to grow on:

    1. “Hear My Train-a comin” (Acoustic Version). Here Jimi plays an instrument he rarely played in public, a Guild 12 string acoustic. This is his own composition and a close approximation of Deep Blues. Check out his hands! He dwarfs the neck of this 12 string.

    1. “All Along the Watchtower, Jimi Hendrix Experience. From the album Electric Ladyland, Released October 16, 1968, Warner Brothers Records. This is from the final studio album of Hendrix music released during his lifetime. Originally written by Bob Dylan and totally reconstructed by Hendrix. With the inclusion of this song, Hendrix showed himself to be a masterful interpreter as well as a masterful composer. During his less than four year recorded career, Hendrix released three studio albums and one greatest hits collection. They range from “Are You Experienced? Axis: Bold As Love, and Electric Ladyland. His dream, that was realized in August 1970, was to build an incredible recording studio. That studio is “Electric Lady Studios” in New York. The writer of this article spent a bit of time there. A magical place.

    1. “Machine Gun,” Band of Gypsys, January 1, 1970, Fillmore East New York. Band of Gypsys was a one off band of great potential that included Hendrix, Army buddy Billy Cox on Bass and Buddy Miles on Drums. Part of the reason they played together was to record an album that helped settle part of a lawsuit issued against Hendrix by PPX Enterprises President, Ed Chaplin. No matter, the New Years Eve concerts were scary exercises in space age Funk. “Machine Gun,” is an audio reflection of the Vietnam war.

    1. “Tribute to Jimi,” The Waxhaw Gypsy Eyes, March 5, 2014, Waxhaw, NC. The writer of this article playing with Scott McCloud (Bass) and Tom Toglio (Drums) performing two Hendrix compositions, “Little Wing and Villanova Junction Blues.” All those hours paid off.

Michael Ingmire

Michael Ingmire, is a musician, writer, commentator, activist and author based in North Carolina. As a musician he has shared stages with artists like John Lee Hooker, Albert King, Bo Diddley, Dr. Mac Arnold, Wilson Pickett, Allen Ginsberg, Kenny Neal, Bob Margolin, among many. Michael's work is available for listening or purchase at reverbnation.com under Michael Wolf Ingmire. Since the death of his nephew, Sean Smith, in the September 2012 Benghazi attacks, Michael’s writing has taken on a strong political edge. He has previously written about Benghazi extensively for The Daily Caller and foxnews.com. Starting in September 2015, Michael has been a consistent contributor to Politichicks, writing about, political, musical, and social topics. His article, “Benghazi: A Tale of Two Reports,” closes out the chapter on Islam in the collection, “Politichicks: A Clarion Call to Political Activism.”

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